Those who attacked the Beatles for their single “Revolution,” should be set down with a good pair of earphones for a listen to Side Four, where the theme of the single is carried out in two different versions, the latter with the most impact.
You come up with only one of two answers about that reviewer: he is either deaf or he is evil. In about 250 words the “critic” dismissed the album as being neither as good as the Big Brother Cheap Thrills LP nor as the forthcoming Blood, Sweat and Tears album. (The secret is that innocence is invulnerable, and those who rush too quickly for the kill, are just themselves dead.) On the level of musical ignorance, I read the very first review of this record that appeared it was in the New York Times. Pepper’s Band it is on every level an explanation and an understanding of who and what the Beatles are.Īs usual, the personal honesty is met with an attack. There is not the dissemblance of being “our boys” from Hard Day’s Night, nor the disguise of Sgt. Rock and roll at once exists and doesn’t exist that is why the term “rock and roll” is the best term we have, as it means nothing and thus everything -and that is quite possibly the musical and mystical secret of the most overwhelming popular music the world has known.īy attempting such a grandiose project with such deliberation and honesty, they have left themselves extremely vulnerable. Rock and roll’s longevity is its ability to assimilate the energy and style of all these musical traditions.
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Not only the origin of rock and roll, but also the short history of it can be seen as a series of hybridizations, the constantly changing styles and fads, as rock assimilates every conceivable musical style (folk, blues, soul, Indian classical, psychedelic, ballad, country) not only a recent process, but one that goes back to the Drifters, Elvis Presley, Little Richard, Buddy Holly, and so on. That merger represents the distantly effected marriage of the music of England and Africa, a yin and yang that could be infinitely extended. Rock and roll, the first successful art form of the McLuhan age, is a series of increasing hybrids of musical styles, starting from its basic hybrid of country and western music and black American music (blues, if you will). And that, of course is what rock and roll is, and that is what the Beatles are.
Nothing could have been more ambitious than the current release: The Beatles is the history and synthesis of Western music. Pepper’s applied the concept of the symphony to rock and roll, adding an incredible (and soon overused) dimension to rock and roll. Just a slightly closer look shows it to be a far more deliberate, self-conscious, pretentious, organized and structured, coherent and full, more perfect album than Sgt. The impact of it is so overwhelming that one of the ideas of the LP is to contain every part of extant Western music through the all-embracing medium of rock and roll, that such categorical and absolute statements are imperative. Whatever else it is or isn’t, it is the best album they have ever released, and only the Beatles are capable of making a better one. Never has this been so plainly evident as on their new two-album set. The Beatles, who are the perfect product and result of everything that rock and roll means and encompasses. Although it is Bob Dylan who is the single most important figure in rock and roll and although it is the Rolling Stones who are the embodiment of a rock and roll band it is nonetheless Our Boys. The power of rock and roll is a constantly amazing process.
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